A comparison of two ways of filmmaking the continuity based editing and kino eye

—provisional instructions to kino-eye groups, dziga vertov, 1926 making these films, vertov was all the time playing with the possibilities of expressive film editing (or ‘montage’) he started assembling clips of film without regard for formal continuity, time, or even logic itself to achieve a ‘poetic’ effect which would grab. Film editing is a technical part of the post-production process of filmmaking the term is derived from the traditional process of working with film which increasingly involves the use of digital technology. Continuity editing is the process, in film and video creation, of combining more-or-less related shots, or different components cut from a single shot, into a sequence so as to direct the viewer's attention to a pre-existing consistency of story across both time and physical location.

a comparison of two ways of filmmaking the continuity based editing and kino eye Eye, i believe in kino fist’, which pretty much sums up the difference between the two filmmakers) vertov’s 1929 man with a movie camera is a ‘city symphony’: one of a number of films made in the 1920s, which depicted a day.

They should observe actor continuity, prop continuity and costume continuity the continuity person should take photographs of the whole set and the actors costumes if all of this is observed properly, you will have a film that you can cut in the edit suite later. Continuity and montage there are two basically different approaches to editing, continuity editing and montage theory we will take a look at both techniques in the following continuity editing (also, classical continuity) continuity refers to the way shots go together to create a seamless chain of events. With specific references to two films that we have studied and that are not made in the continuity editing style, discuss what other ways filmmakers may tell stories or make meaning in this essay i will be explaining discontinuity editing as a different style of cinema, or a different way of making cinema. Achieved from continuity editing and is when a movie has a beginning, middle, and end where shot a and b are matched in action, subject, graphic content, or two characters' eye contact, and help create a sense of continuity between the two shots appears on the screen in two ways: 1 iris-out: begins with a large circle that closes.

Continuity editing ensures the flow from shot to shot creates a rhythm based on the relationship between cinematic space and cinematic time creates filmic unity (beginning, middle, and end) and establishes and resolves a problem. The use of film editing to establish continuity, and simply identifies editing in soviet filmmaking of the 1920s, montage was a method of juxtaposing shots to derive new meaning that did not exist in either shot alone but the two parted ways because they had different ideas of montage. Multiple oscar winning film editor & sound designer walter murch‘s distinguished 50-year career reads like a ‘best of’ list of feature films within murch’s book in the blink of an eye: a perspective on film editing he completely: notice that the top two on the list (emotion and story) are worth far more than the bottom four.

Where shot a and b are matched in action, subject, graphic content, or two characters' eye contact, and help create a sense of continuity between the two shots parallel editing (aka crosscutting) the cutting together of two or more lines of action that occur simultaneously at different locations. And by distracting the eye with movement by cutting on the action we are similarly mimicking the eye, in that the motion between two separate images (for the eye, the motion is subliminally recorded but mentally ignored between two saccades) helps us to combine the two of them. The use of film editing to establish continuity, involving action moving from one sequence into another, is attributed to british film pioneer robert w paul's come along, do, made in 1898 and one of the first films to feature more than one shot. The continuity style is primarily a visual system, unlike the novel it breaks with the tableau-like setting of theater, and isolates and breaks up space through framing and editing, directing our field of view, unlike theater, which allows our eye to move more freely over a broader established space.

Continuity editing is the style of film editing and video editing in the post-production process of filmmaking of narrative films and television programs the purpose of this of this editing is to smooth over the inherent discontinuity of the editing process. The reason this is so important is because editing is based on the idea that when we cut from one angle to another, the basic information between the two shots will remain constant and thus we will focus on what is happening rather than that the angle has changed. With dziga vertov’s man with a movie camera we are at last initiated into the philosophy of the kino-eye some of us have been hearing a great deal about the kino-eye and it has worried us considerably. Continuity editing ensures the flow from shot to shot creates a rhythm based on the relationship between cinematic space and cinematic time creates filmic unity (beginning, middle, and end) and establishes and resolves a problem in short, continuity editing tells a story as clearly and coherently as possible compare discontinuity editing. Other elements that could help in the continuity of a project are: edits based common prominent elements in shots (such as a strong color, a strong graphical element or a clear compositional element, eg the line of the horizon.

A comparison of two ways of filmmaking the continuity based editing and kino eye

Montage – the hidden language of film tom barrance with obvious weaknesses in sound, editing and acting montage while continuity is clearly the dominant way to make films, it isn’t the only way there is another tradition which the term he coined for this was ‘kino eye’ (eisenstein stated ‘i do not believe in kino. Editing-the basic creative force of filmmaking -the process of selecting, arranging and assembling the essential components of a movie (visual sound and special effects) to tell a story in a unique way.

  • Changes, editing, and subtitles continuity editing is a system or grammar for organizing shots with the goal of maintaining the viewer's spatial orientation and temporal orientation the continuity system is geared toward maintaining engagement and reducing self-consciousness of the act of viewing.
  • Mda 1800 – discontinuity editing - different ways of making cinema, by nuno cabaço brief: on this module, we learn that narrative films use many of the techniques of continuity editing to tell stories or make meaning with specific references to two films that we have studied and that are not made in the continuity.
  • Within murch’s book in the blink of an eye: a perspective on film editing he discusses something he calls the ‘rule of six‘ six elements to building the story within the edit, which he describes as a list of priorities: “what i’m suggesting is a list of priorities.

Continuity and discontinuity editing continuity editing is the style of film editing and video editing in the post-production process of filmmaking of narrative films and television programs the purpose of this of this editing is to smooth over the inherent discontinuity of the editing process.

a comparison of two ways of filmmaking the continuity based editing and kino eye Eye, i believe in kino fist’, which pretty much sums up the difference between the two filmmakers) vertov’s 1929 man with a movie camera is a ‘city symphony’: one of a number of films made in the 1920s, which depicted a day.
A comparison of two ways of filmmaking the continuity based editing and kino eye
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